|
This topic comprises 2 pages: 1 2
|
Author
|
Topic: Digital Drive-in sound
|
Peter Berrett
Jedi Master Film Handler
Posts: 602
From: Victoria, Australia
Registered: Nov 2000
|
posted 10-30-2002 06:10 AM
Hi allI stumbled across this article which talks about a drive-in theatre in the USA offering digital sound to drive-in theatre patrons. here What puzzles me is that it appears that all they are doing is just mixing the sound down to 2 channels. Most of our drive-ins here in Melbourne already have stereo fm sound so what is the advantage of what they are offering? cheers Peter
| IP: Logged
|
|
Jack Ondracek
Film God
Posts: 2348
From: Port Orchard, WA, USA
Registered: Oct 2002
|
posted 10-30-2002 08:04 AM
quote: Originally posted by Peter Berrett: Most of our drive-ins here in Melbourne already have stereo fm sound so what is the advantage of what they are offering?
Practically nothing but perceived marketing advantage. They can say they have digital sound. Note that they mention it right at the top of the page here FM, stereo or otherwise is a lot better than a 4 inch window speaker, but it doesn't have the noise floor that a reasonably well-installed (and much less expensive) SR system can produce. Unless you have an expensive, recently made FM exciter (transmitter), good theatre components feeding it and an interference-free clear shot to your customers' cars, you'd be lucky to see noise floors down more than -30 to -40db or so at the output of a car radio. With all the "activity" going on in and around most cars in a drive-in, (read that one any way you want), you're not going to hear much sound below that level, even if it was there... which is part of why broadcasters use a lot of compression-based processing to REMOVE those dynamics!!! Stereo separation can vary widely, too, which really defeats the quality that digital film systems produce. The stereo generator in an FM transmitter contains an audio filter which removes everything above 15kHz. This prevents interference with the signals that "tell" your radio how to make stereo out of a single-channel analog transmission. This pretty much brings the FM transmission process down to a level, maybe somewhat better than consumer-grade analog tape. Sure, you can get better results in a controlled environment... (that + "drive-in" = oxymoron). Now, add the uncontrolled dynamics of the car itself. Every car in the field is a small auditorium with unknown acoustics that would be impossible to equalize for. So... what will you get by running digital? Probably not much more than click-free splices and the ability to say you're digital. Unfortunately, a lot of drive-ins are not the first to play a print. I wonder how how consistently a digital system would work, considering the reliability of receiving DTS discs or a readable digital track once a print's been out there for a while (unless of course, Filmguard is being used!). American broadcasters are able to operate in digital all the way to the transmitter, if they choose. However, as our radios are still analog, the signal has to be converted before it leaves the transmitter site... as it would at a drive-in. Also, you are right about the channel limitation. Any system (digital or not) that generates more than two channels would have to mix them down before they hit the subsequent components of the drive-in's audio chain, or they'd be lost.
| IP: Logged
|
|
Daniel Boisson
Expert Film Handler
Posts: 157
From: Buffalo, NY, USA
Registered: Oct 2001
|
posted 10-30-2002 10:43 AM
Some radio stations are just starting to broadcast in digital. It probably wont be happening to drive-ins anytime soon as I *believe* that requires a digital radio, aside the the huge cost. The point of a DTS drive-in sounds more like a marketing ploy. Not a bad idea though, most people wouldn't notice anyway. ------------------ 3% Body Fat. 1% Brain Activity. ...A projectionist without a theatre...
| IP: Logged
|
|
|
|
|
Tim Reed
Better Projection Pays
Posts: 5246
From: Northampton, PA
Registered: Sep 1999
|
posted 10-31-2002 09:51 AM
quote: As with color tv and the early days of FM, there aren't any receivers out there to speak of...
Someone on WOR was just talking about this. They're broadcasting to no one on the digital channel. (Hello there, Jack. Welcome!) ------------------ Better Projection Pays!
| IP: Logged
|
|
|
Bobby Henderson
"Ask me about Trajan."
Posts: 10973
From: Lawton, OK, USA
Registered: Apr 2001
|
posted 10-31-2002 06:34 PM
That DTS at the drive-in press release is pretty funny --and extremely inaccurate. Any drive in could certainly install a DTS booth rack. But to say the cars are going to hear it in digital is freaking stupid! If the output is converted to analog and broadcast in analog FM form, then the audio the audience is hearing is only analog. I wouldn't be surprised if this drive-in was running the DTS flying disc snipe on the front of their shows.Technologically speaking, it would be pretty easy to do 5.1 digital and simultaneous 2 channel FM analog audio broadcasts to a drive-in theater audience. However, the infrastructure is currently not in place. If the music industry could get over its war with the Internet and actually back some next-generation audio formats like DVD-A and SACD with some worthwhile music content --and not the same damned 10 songs Clearchannel keeps payola-playing over and over and over again-- we might see a wider proliferation of 5.1 surround equipped car stereo systems. With digital radio broadcasting now set to hit the airwaves, that could help out in the process of building up car surround sound infrastructure. What needs to happen is the digital broadcast receivers need to be able to recognize an incoming Dolby Digital or even DTS audio bitstream and process it. Finally, the film distributors would have to come up with different 5.1 surround bitstreams car surround systems would be able to understand. The theatrical DTS APT-X100 codec is different and incompatible with Home DTS CAC decoders. And theatrical Dolby Digital has copy protection flags built into it so it cannot be processed by consumer Dolby Digital decoders either. This last item actually has me more concerned about the viability of digital surround sound at the drive in. The distributors might figure there are too few drive in theaters in existence to even bother with such a system. And the distributors would use copy protection complaints as a justification not to implement such a system.
| IP: Logged
|
|
|
|
Jack Ondracek
Film God
Posts: 2348
From: Port Orchard, WA, USA
Registered: Oct 2002
|
posted 11-02-2002 05:03 AM
My understanding of the whole process is that there were two versions submitted for "market analysis", one that crams everything (analog and digital) into the bandwidth currently allotted for anolog only, and another that added bandwidth for the digital stream. The former process won, which, in the opinion of many career engineers was not the superior version... but that figures. Look at what the FCC did to AM stereo.As for compression rates, etc... what makes this a possible issue of interest to drive-ins is the fact that in the end, the car only has 2 channels to begin with, so 5.1 or otherwise, it's not an issue for us. DAB would provide a silent digital pathway from our booths to our customers' cars, something many drive-in owners do not currently have, when considering interference for real, licensed broadcasters (darn their hides!) AM skip interference and the low power levels used in the "transmitters" drive-ins use. Hi, Tim!
| IP: Logged
|
|
Joshua Lott
Expert Film Handler
Posts: 246
From: Fairbanks, AK, USA
Registered: Nov 1999
|
posted 11-02-2002 04:45 PM
From what I hear all T.V. stations have to be broadcasting in digital by 2003. Then when 85% of the market has digital recievers there analog signals will be turned off.The following bit was from here "Television stations are required by federal law to add the higher-quality digital signal to their broadcasts by May 2003. Although standard televisions can't receive digital signals, consumers won't have to run out and buy new sets anytime soon. Stations must continue to broadcast the standard analog signals until 85 percent of consumers in a market have bought digital televisions, Petrowich said."
| IP: Logged
|
|
|
|
|
All times are Central (GMT -6:00)
|
This topic comprises 2 pages: 1 2
|
Powered by Infopop Corporation
UBB.classicTM
6.3.1.2
The Film-Tech Forums are designed for various members related to the cinema industry to express their opinions, viewpoints and testimonials on various products, services and events based upon speculation, personal knowledge and factual information through use, therefore all views represented here allow no liability upon the publishers of this web site and the owners of said views assume no liability for any ill will resulting from these postings. The posts made here are for educational as well as entertainment purposes and as such anyone viewing this portion of the website must accept these views as statements of the author of that opinion
and agrees to release the authors from any and all liability.
|