|
This topic comprises 3 pages: 1 2 3
|
Author
|
Topic: Digitally filmed
|
|
|
John Pytlak
Film God
Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000
|
posted 11-10-2002 09:51 PM
It will be interesting to see if the lack of sharpness in the live action scenes translates into the DVD version. I certainly noticed the softness again today when I went to see the IMAX version in Rochester this afternoon at Cinemark Tinseltown. IMHO, medium and long shots just lacked any real detail. The CGI (e.g., Yoda) was sharper than the live action. However, the blacks were rich (very black) in the IMAX film print, although sometimes lacking detail in the shadows.------------------ John P. Pytlak, Senior Technical Specialist Worldwide Technical Services, Entertainment Imaging Research Labs, Building 69, Room 7525A Rochester, New York, 14650-1922 USA Tel: +1 585 477 5325 Cell: +1 585 781 4036 Fax: +1 585 722 7243 e-mail: john.pytlak@kodak.com Web site: here
| IP: Logged
|
|
|
Jon Miller
Jedi Master Film Handler
Posts: 973
From: San Diego, CA, USA
Registered: Sep 1999
|
posted 11-10-2002 10:52 PM
Unfortunately, Merriam-Webster is not on our side ...===== Main Entry: film Date: 1602 transitive senses 1 : to cover with or as if with a film 2 : to make a motion picture of or from <film a scene> intransitive senses 1 : to become covered or obscured with or as if with a film 2 : to make a motion picture =====
| IP: Logged
|
|
Michael Coate
Phenomenal Film Handler
Posts: 1904
From: Los Angeles, California
Registered: Feb 2001
|
posted 11-10-2002 11:27 PM
John Pytlak wrote: quote: It will be interesting to see if the lack of sharpness in the live action scenes translates into the DVD version. I certainly noticed the softness again today when I went to see the IMAX version in Rochester this afternoon at Cinemark Tinseltown. IMHO, medium and long shots just lacked any real detail. The CGI (e.g., Yoda) was sharper than the live action. However, the blacks were rich (very black) in the IMAX film print, although sometimes lacking detail in the shadows.
Having had access to a copy of the DVD for a few weeks now for review purposes I will say that I found the image quality to be surprisingly good. I guess HD origination simply works better in the home theater realm. I feel the DVD version has richer blacks and better shadow detail than the 35mm and D-Cinema versions, which can certainly help in giving the impression of an overall better image. (I saw the movie seven times in the theater, by the way, in seven different theaters, and in three different presentation types.) I agree that many of the medium and long shots are noticeably softer than the close-ups (but then this is generally true of most origination formats -- a matter of perception, I suppose). The great thing about the Episode II DVD is that it appears to be largely free of many of the anomalies, artifacts and annoyances (ringing, pixelization, etc.) that are present on too many DVDs. Is this a result of the digital origination and direct transfer to DVD? Perhaps. Lucasfilm and Fox are certainly hyping the DVD as being the first "all digital" live-action movie issued on DVD. Which it is not; there have already been a handful of others. John, Re: the IMAX presentation. Were you at all bothered by the cropped image?
| IP: Logged
|
|
|
|
|
|
|
John Pytlak
Film God
Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000
|
posted 11-11-2002 10:49 AM
They try to have it both ways.Saying "Digitally Filmed" tries to capture the aura and "look" of film cinematography. Too often, articles try to make film seem old-fashioned by referring to it as "celluloid". Look at it another way: Kodak sells 12-megapixel sensors in bulk roll form for less than 4 cents ($0.04 US) each, that have a dynamic range and color gamut that far exceed any digital camera: here More to the Story here Film/Digital Comparison Yet, Kodak is a leader in Digital Imaging technology too: here New 11-megapixel Kodak Sensor here CMOS vs. CCD here Kodak Image Sensor Solutions ------------------ John P. Pytlak, Senior Technical Specialist Worldwide Technical Services, Entertainment Imaging Research Labs, Building 69, Room 7525A Rochester, New York, 14650-1922 USA Tel: +1 585 477 5325 Cell: +1 585 781 4036 Fax: +1 585 722 7243 e-mail: john.pytlak@kodak.com Web site: here
| IP: Logged
|
|
|
|
|
|
All times are Central (GMT -6:00)
|
This topic comprises 3 pages: 1 2 3
|
Powered by Infopop Corporation
UBB.classicTM
6.3.1.2
The Film-Tech Forums are designed for various members related to the cinema industry to express their opinions, viewpoints and testimonials on various products, services and events based upon speculation, personal knowledge and factual information through use, therefore all views represented here allow no liability upon the publishers of this web site and the owners of said views assume no liability for any ill will resulting from these postings. The posts made here are for educational as well as entertainment purposes and as such anyone viewing this portion of the website must accept these views as statements of the author of that opinion
and agrees to release the authors from any and all liability.
|