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Author
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Topic: Why do you project?
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Aaron Sisemore
Flaming Ribs beat Reeses Peanut Butter Cups any day!
Posts: 3061
From: Rockwall TX USA
Registered: Sep 1999
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posted 11-24-2003 08:44 PM
I would not consider being a cinema technician a 'menial job'. Unlike projection in the age of the megaplex, I consider the tech side of the biz to still be a 'craft' or 'trade'- Many cinema techs do sound system design and act as a consultant in some aspects of auditorium design (at least I have done so, and assume othes do as well). I also do full shop rebuilds on projectors, soundheads, and platters.
Projection used to be a craft with a proud heritage, but IMO, the job has been perverted to the point of being not a whole lot better than working at Blockbuster or McDonalds... Granted there are still many operators out there that are skilled craftsmen in every sense of the word, but they are a dying breed these days.
As you may have guessed by now, I am a cinema technician, but still do projection and consultation on projection for two film festivals, I am a projection consultant for another festival that uses 'staff projectionists', and I also do production location dailies projection. I haven't worked full-time in a 'plex since 1999.
Back to the original topic: Why do I project? Back in the early days (I started projecting 35mm in 1981 on Brenkert BX-80s and carbon arc lamps, my 16mm experience goes WAY further back than that) it actually paid far better than most of the jobs my friends in school had, which was nice ... I also got to watch free movies (another nice perk), but also I felt good about being the one that had the (at the time, and probably still applies to this day in some regards) awesome responsibility of keeping the audience happy and entertained, whether it was running 2000' reels with carbon arcs, or a 9-plex with xenon consoles and platters. You really do get a good feeling inside after finishing up a flawless presentation with a happy audience... I also enjoyed the ancillary aspects of the job such as trailer collecting, etc., and have several friends that are similarly inclined and we would (and still do) get together and pursue our hobby...
-Aaron
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Thomas Procyk
Phenomenal Film Handler
Posts: 1842
From: Royal Palm Beach, FL, USA
Registered: Feb 2002
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posted 11-25-2003 02:19 PM
I do it because when I take a picture the size of a postage stamp and blow it up to over 40 feet wide while an audience of 300 people, completely unaware of my existence, stare at something that >>I<< put before them MAKES ME FEEL LIKE THE ALMIGHTY GOD!!
That, and I hate people, because people are idiots. All of them. The Machines are not idiots because The Machines can do no wrong. The Machines will never yell at you. They will never say or do things to hurt your feelings or rip your heart out by saying "Can't we just be friends?". They will never demand that you don't charge them for extra cheese because you never gave them enough to begin with. Yes, The Machines are my best friends and we work together in close harmony, watching all of the idiots below who are unaware that they are gazing at what I and The Machines put before them!! (evil laugh)
But really, it's a whole lot of fun.
Now if I could only make it dark and windy indoors like Gandalf, that would be sweet.
=TMP=
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Mark Gulbrandsen
Resident Trollmaster
Posts: 16657
From: Music City
Registered: Jun 99
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posted 11-28-2003 01:10 PM
Aaron said "Projection used to be a craft with a proud heritage," _________________________________________________________________
I have to somewhat chuckle at that line and add that....the craft started with a heritage based on the likes of Al Capone and other organized crime leaders in the 1920's . Based on recent indictments of Union leaders in Chicago I would say that it still partakes in at least some organized crime.
How I got into this field..... I was working in broadcast TV and was sick of it. I started collecting 35 and 70mm film and then collecting and rebuilding 35 and 70mm equipment. Pretty soon the local dealers repair guy retired and they had me running some service calls so I left the egotistical world of broadcast TV behind to work at my hobby..... eventually landing a job at a local 2nd run chain(now Classic Cinemas) doing all their rebuilds, installs, Willisizing all the locations they took over operating, and all repair work. Unfortunately it was a 24/7 totally rediclous job and I eventually quit Willisizing booths but continued to do location dailies work( and I was non-union!), selling dailies equipment, and servicing other theatres in Wisconsin, Northern Illinois, and Northern Indiana. This quickly and by word of moutn grew into a full service Theatre Supply Company. Things were good for a long time but with the chains buying up many of my accounts I shut it down and retired to Utah. I'm actually buisier out here than I ever have been but this is a geat place to live!
Actually I'd always say that you should have a job that you like and makes you a happy person in life. That aspect is far more valualable than any money form of compensation over your lifetime. I look back at what I did the last 20 years in this industry and nothing could replace the experience. Decent money can be made in this industry if you are good at what you do. I watched both my parents be miserable in their jobs and vowed not to end up that way. I really love the work I do, my co-workers, a great majority of my customers and almost all of the vendors I deal with in this job. Indeed, you can make a good living out of it. Mark
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