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Author
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Topic: Big Boys Toys Expo in Phoenix
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Will Kutler
Phenomenal Film Handler
Posts: 1506
From: Tucson, AZ, USA
Registered: Feb 2001
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posted 06-19-2004 10:05 PM
For Fathers Day, there was a high-end big boys toys expo in Phoenix this weekend. And there were a few items that cought my attention:
Ya, there were some "show girls" there from the local "gentlemen's clubs", but they looked like they already had a few miles on them...
Anyhow, onto some F.T. interest topics:
For those of us who like silent films, and even the possibility of hand-cranking the Simplex Standard...there was the ultimate accessory!!!
An antique dealer was selling a player (one man band) piano. The piano was "saloon tuned", ran off of Braile paper, and included a "one man band" including: bass drum, cymbols, tambourine and a small accordion. This was an exquisite piece made by the Stafford Nickelodian Company. This was truly a work of art and sounded magnificant! I have yet do do an internet search, but the dealer says that this company is still in business in PA. Cost for this piece: $12,000.
The other attraction....
The McINTOSH display! The display included a pair of MC1201 Monoblocks, the MC2200 Tube Pre-Amp, McIntosh speakers and other Mcintosh equipment.
Now,I love high end audio...especially tube gear. But nothing annoys me more than snobbish "audiophiles" who get all cought up with the mathmatics of accoustic design and performance. Putting all the techno-babble aside, I just love to sit back, relax and enjoy a masterfully designed system that is a real work of art!
All I can say about this system was....AAAAAAAAAAAAAHHHHHHHHHHHHHHH!
The detail and clarity of listening to a big-band jazz recording WAS an experience!
Although they did not have it hooked up, they did have on hand the reissue of the MC275, using either KT88s or 6550s. THe monoblocks were somewhat reasonably priced at $3500.00 per amp...two required for stereo. I also understand that there have been some design and component improvments over the origonal amps.
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William Hooper
Phenomenal Film Handler
Posts: 1879
From: Mobile, AL USA
Registered: Jun 99
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posted 06-21-2004 02:53 AM
quote: Will Kutler An antique dealer was selling a player (one man band) piano. The piano was "saloon tuned", ran off of Braile paper, and included a "one man band" including: bass drum, cymbols, tambourine and a small accordion. This was an exquisite piece made by the Stafford Nickelodian Company. This was truly a work of art and sounded magnificant! I have yet do do an internet search, but the dealer says that this company is still in business in PA. Cost for this piece: $12,000.
That's broadly an orchestrion. Orchestrions were automated instruments in cabinets, & often in piano or piano-based cabinets. It was recording medium is a "player roll" of which there were several different formats for proprietary instruments such as organs, band rgans, orchestrions, player pianos, player banjos, violins, etc. Most were just piano rolls. They're not braille (which is raised bumps on paper), but perforations. They work by vacuum: the roll passes over a "tracker bar" pulling a vacuum through holes matching a matrix of positions for each note across the roll. If there's a hole there, suck goes the vacuum & it plays the note. No hole, no note.
"Saloon Tuned" sounds like they stuck tacks in the piano hammers to give it a coarse rinky tinky sound.
There's a list of links to mechanical music sites at http://mmd.foxtail.com/cgi-bin/links.pl
Many of them made (make) exquisitely beautiful music. I've heard player violins that could just transport you. Jasper Sanfilippo has a nice collection of mechanical music devices in his charming little home in the suburbs of Chicago.
http://www.wurlitzer2003.com/victorian_palace.htm http://www.atos.org/Pages/Residences/Sanfilippo/Sanfilippo.html
There are piano rolls recorded on machines from performance by very famous pianists. Oddly enough, though, most music rolls were cut by technicians who just worked by graph & measurement from sheet music, & who couldn't read a note themselves. There are HUGE fan bases for some of these non-musician roll cutters who made rolls of excellent "performance" including every bit of interpretation that implies. Some of them are old duffers now who get hauled enthusiasts to conventions, & themselves cannot understand the fuss about them personally based on the artistic value of the music on their rolls, as they only viewed their rolls as good craftsmanship. It's a little strange.
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