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This topic comprises 4 pages: 1 2 3 4
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Author
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Topic: The Andy Summers Private THX Cinema
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Andy Summers
Master Film Handler
Posts: 397
From: Bournemouth Dorset United kingdom
Registered: Jun 2005
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posted 10-15-2005 04:37 PM
Scott’ Yes and no is the answer for it must be odd with a TV monitor of that size and a sound system of such size, I can place a mental image of the size that needs to be there, but that’s just the way I think. Yes a video projector as to be in order hear, and though I have my eyes set on one in a second hand shop, at around £500,00 I’m sure the halogen bulb is near it’s lifespan, and there’s the cost but if I think like a projectionist I’m sure there’s a way around it, and bring the cost to affordability.
The box under the multi stranded SONY monitor is a teletex decoder to where the signals on TV broadcasts enable views to see news updates weather entertainment etc.
But seeing it’s not connected nor am I receiving any British TV broadcasts as I’ve given up with British TV period, I’ve even dumped the antenna, it’s just Laserdiscs DVD’s and some pre-recorded future films on VHS for now.
The microphone was isn’t sadly a calibrated model but it’s got XLR connecting, the pink noise is soured from the dts calibration disc with full spectrum sound and carefully adjusting the EQ bands to get the timber close to the sweet spot in the room, whilst looking at the RTA, two of which I have one is on the Technics EQ and the other is on the pc called “TureRTA.” I’m also on the look out for some more active X-over units as passive ones are too high edge sounding.
So in a sense part of the sound chain is close to the B-chain configuration, just need two more active X-over units.
Now if you have been looking at the images you’ll notice the audio mixer that I have placed in line with the LFE and all the other channels that are outputting low frequency content, from the sub bass low pass output split-surrounds to the centre channel and the main fronts left and right sub bass low pass, I’ve said it before less is more and overwhelming the mix to point where it’s not sounding natural, simply will not do.
There’s other techniques that I’ve done like looking at the problems regarding masking acoustic masking, there’s a few black boxes that I’d like some audio compressors with gate hold and threshold settings, with around 4 needed and then I’ll start addressing the problems like in the film “Heat” and “Alien” 2000 issue not that bodged remix directors cut which I happen to also have, the mix on these films is incredibly complex and though some cinemas are still faced with the same problem I just what to correct it and get more out of the mix with little compromise issues in it’s path.
Joe’
Come Joe’ stop playing around I’ve seen Brad’s preview theatre that wins hands down, spot on I like it. Why is there no picture for home THX it’s not like the annual fee that’s paid out to the THX division with 6 monthly check ups, and the final kick in the bollocks, if you fail to maintain standards, I maintain the operation hear with out the fuss and hassle that is usually accompanied with the THX license…
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Andy Summers
Master Film Handler
Posts: 397
From: Bournemouth Dorset United kingdom
Registered: Jun 2005
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posted 10-15-2005 09:01 PM
Steve’
Edge foam surround, is the reason need I say more, the edge ribbon surround nice. And this sub as had a good 7 year run with no problems, touch wood.
Along with its durability and giving it’s only 98db sensitivity and this one I’ve measured down to 20Hz so she as the authority to play the most demanding films from “Master and Commander” “Flight of the Phoenix” and “Star Wars Episode 2 Attack of the Clones” those are some of the films that I’ve tested “The LFE” test that is and note “Spiderman 2” that’s got some wow lows in it that’s slams kicks and rumbles the room right down to low depths just like in the “Empire Leicester Square” mind you they had around 8x JBL 4645, to fill that auditorium.
Just one JBL 4645 will suffice hear, which leaves my friends in the dust with 10inc ones, where they sound to toppy…
The maximum SPL db I’ve ever had her at is 120db that was with the film called “Final Approach” on VHS and those after burners on the SR-71 really kick you in the chest, KABOOM….
So looking forward to that film, if it ever gets a DVD realise has it was one of the first films to be in digital sound, or one of many the ole CDS format which is now retired due to backward compatibility, though there where a few 70mm six-track Dolby prints of it and Dolby SR as well.
Do you have any news on this film “Final Approach” http://www.imdb.com/title/tt0101874/combined
Now adding on to this if some members like to drop on over, you’ll properly have to nick an SR-71 and fly her at Mach 3 and land her at “Hurn Airport” which is only 7 miles away from me, drop on in catch the DVD only real big problem hear is you’ll find the SR-71 has had it’s wheels clamped and may have to pay for landing costs etc, and stuffing some 4 or 5 members into it’s cockpit may be difficult also.LOL.
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