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This topic comprises 2 pages: 1 2
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Author
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Topic: The "new" projectionist
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Kurt Zupin
Jedi Master Film Handler
Posts: 989
From: Maricopa, Arizona
Registered: Oct 2004
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posted 06-16-2006 06:25 AM
Another member and myself have a website where past employees and current ones can post and meet and talk about stuff, much like Film-tech forums. Anyway a ex employee who is now working at another theater posted this and we have had a discussion on it. I would like some of the leading people in the industry to post on this, what do you think.
quote: So, those of you who know me should be well aware by now that I'm somewhat of an arrogant prick. And what else would an arrogant prick do besides rub in everyone's faces how much better his job is compared to everyone elses.
I've just recently been promoted to projection (or "Prodge," as we cleverly call it) at the DELETED
Let me just walk you through my typical day at work. I show up in my uniform (which consists on khakis and a maroon polo shirt), punch in, and then I usually waste about 15 minutes on the clock bullshitting at the concession stand with the other employees. Once I've had enough chatter, I walk to the elevator and take it to the projection booth. I check my proj. schedule and go start the movies that need starting. And then I usually sit at the projectionist desk and read a book, or listen to Guns N' Roses until the next movie starts. There's always atleast a 15 minute lull inbetween every film, which is more than enough time for me to smoke atleast 2 cigarettes down at the loading dock. The theatre is a three-floor theatre. Box office on the first. Theatres 1-7 on the second floor and 8-12 on the third. So that means we have 2 projection booths. We have a small perk for us projectionists on the third floor projection booth. Satellite TV. So if I get bored of reading or run out of cigarettes, you can typically find me on 3M watching That 70's Show or reruns of MacGuyver. You want to know what the kicker of this whole gig is? I get paid more to do less. Paradox? I think so. Am I complaining? Certainly not.
I just thought y'all should know about my fortune and glory.
After some back and forth between some of us, he came back and said this,
quote: What they pay us for is to make sure there is no error before the movies start. We make sure that everything is perfect before that green light goes on and the film begins to roll. We make sure that there is no need to patrol the projection booth like an anal retentive bastard. We get it right the first time. This is the way it has been run since the place has opened, and that's the way it'll continue to run until the day the theater closes it's doors forever.
I would just like some opinions on this, if you wouldn't mind. Thank you in advance, if you would like to know more of what he said, let me know and I will repost it. [ 06-16-2006, 06:38 PM: Message edited by: Brad Miller ]
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Bobby Henderson
"Ask me about Trajan."
Posts: 10973
From: Lawton, OK, USA
Registered: Apr 2001
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posted 06-16-2006 11:02 AM
I have the mental image of a brain wrap happening on one of the third floor projectors. Meanwhile, the "prodge" is out on the loading dock puffing away on cigarettes...oblivious.
Anyway, that fellow should enjoy his job while he still has it.
Video projection is going to eliminate a lot of the tasks that require dedicated projectionists in some theaters. No more film prints to build up, tear down, move from one platter to another, etc. The design on some of these systems is such that the movies, trailers, commercials, scheduling will all be downloaded via satellite. It's possible for these systems to run with little if any manual intervention at all. You'll still need at least one or two people on the property to take care of any emergencies in case they occur, but its likely the staffers doing that will be managers. The "prodge" will probably get the boot.
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Kurt Zupin
Jedi Master Film Handler
Posts: 989
From: Maricopa, Arizona
Registered: Oct 2004
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posted 06-16-2006 01:06 PM
Thanks for the heads up Mike.
This kid when he worked for us was a 3rd class projectionist, and hes no better now.
This is what he had to say after we voiced our opinion on the matter
quote: Well... this is what I have to say in my defense:
The theatre is NOT the old deleted. Everything in the booth is completely self-automated.
They DO NOT: -Randomly brainwrap -Fall out of focus -Chew film -Electrocute the help
They are designed to not be babysat. If something is wrong, it won't allow itself to start; if something goes wrong during mid-play... it shuts itself off. And even if I was dealing with the same projectors from the Caddy 5 (which I am not), there is only one projectionist on staff per shift. It'd be really hard to have one man babysit 12 projectors separated by 2 floors. Even if one of them did start to malfuction, there'd be no telling which one it would be until after I was notified that something was wrong. If we had three projectionists on staff for each shift (one to start all the movies, and two to act as patrolman for each floor) there's still no guarantee that they could catch a malfunction before it started to damage a print. It's a crap shoot, really.
What they pay us for is to make sure there is no error before the movies start. We make sure that everything is perfect before that green light goes on and the film begins to roll. We make sure that there is no need to patrol the projection booth like an anal retentive bastard. We get it right the first time. This is the way it has been run since the place has opened, and that's the way it'll continue to run until the day the theatre closes it's doors forever.
Believe it or not, I actually posed this question while I was being trained and Kurtis and I were having a cigarette after starting a movie.
"Kurtis, don't we need to stay in the projection booth?" I asked him, looking up at him with curious, blue eyes.
"Why?" he replied.
"Well, you know... in case something goes wrong?"
"Did it start okay?" he questioned me.
"Yeah."
"Well, then it'll end okay. That's the way the machines are designed." he stated with sheer confidence.
He takes a long drag off of his cigarette.
"But..." I inquire.
He interjects. "I've been doing this for 15 years. This is how it works here. We're not paid to be nannys. Enjoy your cigarette. It's part of your job now." he says with a smirk.
I smile with a big, toothy grin and I slowly fall into Kurtis' arms and get lost in his sparking green eyes.
[ 06-16-2006, 06:39 PM: Message edited by: Brad Miller ]
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Christopher Meredith
Expert Film Handler
Posts: 126
From: Jackson, MS, USA
Registered: Apr 2006
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posted 06-16-2006 01:20 PM
Yeah, that's all well and good until a splice breaks or a roller stops rolling. All modern equipment is "designed" to not be babysat. That doesn't mean it will end fine if it starts fine.
The one nice thing about Regal is the 4-step disciplinary process. It makes it so much easier to get thread monkeys like this out the door and ineligible for rehire.
It never ceases to amaze me how much work I am able to find to do in the booth when others are oblivious. I don't have to spend my shifts fixing brain wraps or getting pictures back on the screen for angry customers but I am still constantly busy. There's always something to clean, lubricate, adjust, tweak, tighten, fix, etc, etc, etc. As equipment gets older, it will require more looking after. Kinda hard to do that when you're glued to the TV or filling your lungs with tar out on the dock.
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