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Topic: Expensive Vandalism Stories
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Greg Anderson
Jedi Master Film Handler
Posts: 766
From: Ogden Valley, Utah
Registered: Nov 1999
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posted 07-30-2006 06:32 PM
I was a lowly, teenage usher in 1982 when my theatre's chain, UA, let its deal with the projectionists' union run out. Pretty soon, we had inexperienced, assistant managers running the booth and guys picketing in front of the theatre. On a particularly busy Friday or Saturday night, at the start of the 8:00pm showing of First Blood, it became obvious that the sound was out-of-whack. Nobody on staff knew how to fix it from the booth. So we had to stop the show and issue re-admission passes to 500 people in our 35mm Dolby Surround auditorium.
We looked behind the screen to see that someone had cut and removed wiring to the high-frequency horns. The manager specifically asked the staff not to tell stories blaming the picketing projectionists for this sabotage. So I won't. I have no idea how much it cost to hire a technician willing to cross picket lines to "fix" the problem. The sound system was never quite right again, but everything was perfectly tuned a few months later when we got a new 70mm system installed for Return of the Jedi.
After the incident with First Blood the manager assigned an usher to sit in the front row of each of the other five auditoriums to make sure nobody got behind another screen that night. I sat through Monsignor with Christopher Reeve. The first time I ever fell asleep on the job. (Luckily, nobody went behind the screen while I dozed off.)
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