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» Film-Tech Forum ARCHIVE   » Community   » Film-Yak   » R. Elswit, 'There Will Be Blood' Win ASC Award

   
Author Topic: R. Elswit, 'There Will Be Blood' Win ASC Award
Michael Coate
Phenomenal Film Handler

Posts: 1904
From: Los Angeles, California
Registered: Feb 2001


 - posted 01-28-2008 01:08 PM      Profile for Michael Coate   Email Michael Coate   Send New Private Message       Edit/Delete Post 
I attended the American Society of Cinematographers Awards this weekend, as I have for the past eight years. Great show, as usual. Surprisingly, Robert Elswit, ASC won the Feature Film prize. I say surprisingly not because I didn't think his work on "There Will Be Blood" wasn't great (it certainly was), but because I thought Roger Deakins, ASC/BSC was a lock given he was nominated TWICE!

Anyway, since I'm no longer writing for FromScriptToDVD.com and because I'm feeling lazy today, instead of writing up something on the event I'll post the press release that was given to me.

quote:

Robert Elswit Wins ASC Cinematography Award for THERE WILL BE BLOOD; Ben Nott and Glen Winter Claim Top TV Honors

LOS ANGELES, January 26, 2008 – Robert Elswit, ASC, Ben Nott, ACS and Glen Winter, CSC earned top honors in the three competitive categories at the 22nd Annual American Society of Cinematographers (ASC) Outstanding Achievement Awards here tonight at the Hollywood & Highland Grand Ballroom. Elswit won the feature film competition for THERE WILL BE BLOOD. Nott topped the movie/miniseries/pilot category for THE COMPANY (TNT). Winter won the episodic TV competition for “Noir,” an episode of SMALLVILLE (CW).

“It’s exciting for me as an actor to partner in creating movies with such amazing artists,” said Casey Affleck, who presented the award to Elswit.

The other contenders were Roger Deakins, ASC, BSC for THE ASSASSINATION OF JESSE JAMES BY THE COWARD ROBERT FORD and NO COUNTRY FOR OLD MEN, Janusz Kaminski for THE DIVING BELL AND THE BUTTERFLY and Seamus McGarvey, BSC for ATONEMENT.

“Artful cinematography isn’t just about what the audience sees,” said Minnie Driver who bestowed the award to Nott. “It’s about what the images make people feel.”

In the television movie/miniseries/pilot category, nominees included Oliver Bokelberg for the RAINES pilot, David Franco for the telefilm BURY MY HEART AT WOUNDED KNEE, Rene Ohashi, ASC, CSC for the telefilm JESSE STONE: SEA CHANGE and Michael Weaver for the PUSHING DAISIES pilot.

“Cinematography for episodic television has evolved into a major art form,” said Ron Perlman who presented the award to Winter. “These artists have created feature film quality images on short schedules and with limited budgets, and they do this every day.”

The other nominees in the episodic television competition were James L. Carter, ASC for “Happy Ending”/CSI: CRIME SCENE INVESTIGATION, Eagle Egilsson for “Inside Out”/CSI: MIAMI, Russell Lee Fine for “All of Us Are in the Gutter”/THE BLACK DONNELLYS and John Fleckenstein for “Welcome to the Club”/ WOMEN’S MURDER CLUB.

The ASC Board of Governors Award was given to Annette Bening by Allen Daviau, ASC in recognition of her artistry in front of the lens and contributions to filmmaking.

“One of the joys of being a cinematographer is that you get to work with talented actors and actresses as they create their characters and interact with one another,” Daviau said. “It was a joyful experience working with Annette Bening on BUGSY. Scene by scene, she brought life to her character and magic to the screen.”

Career achievement awards went to four ASC members who have earned the admiration of their peers. The ASC Lifetime Achievement Award was presented to Stephen H. Burum, ASC by Caleb Deschanel, ASC. The ASC International Award was given to Walter Lassally, BSC by Haskell Wexler, ASC. The ASC Career Achievement in Television Award was bestowed upon George Spiro Dibie, ASC by Donald M. Morgan, ASC. The ASC Presidents Award was presented to visual effects guru Richard Edlund, ASC by writer-producer-director John Fasano.

One of the emotional highlights of the evening was a nod to the future when Vilmos Zsigmond, ASC presented the ASC Laszlo Kovacs Heritage Award to Andrew M. Davis of Chapman University and Sean Stiegemeier from the American Film Institute. This student award is re-dedicated annually to the memory of a cinematographer who has made an indelible impression on the art of filmmaking.

“Laszlo was one of the most talented cinematographers of our times,” Zsigmond said. “He was also my friend and partner in life. Laszlo led the ASC outreach program to students and other young filmmakers for many years. He will never be forgotten, because he was a great artist who helped so many other people’s dreams come true.”


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Chris Slycord
Film God

Posts: 2986
From: 퍼항시, 경상푹도, South Korea
Registered: Mar 2007


 - posted 01-28-2008 01:37 PM      Profile for Chris Slycord   Email Chris Slycord   Send New Private Message       Edit/Delete Post 
Not that surprising.

Lets say there were 4 nominations and 2 were for the same guy on different movies.

Lets say 25% voted for his first movie and 25% voted for his second. Then 26% voted for the 2nd guy and 24% for the 3rd guy.

So unlike a 3rd party candidate who steals votes from a guy in a mainstream party, this guy steals votes away from himself.

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Michael Coate
Phenomenal Film Handler

Posts: 1904
From: Los Angeles, California
Registered: Feb 2001


 - posted 01-28-2008 02:40 PM      Profile for Michael Coate   Email Michael Coate   Send New Private Message       Edit/Delete Post 
OK, thanks, Rain Man! [Big Grin]

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Tim Reed
Better Projection Pays

Posts: 5246
From: Northampton, PA
Registered: Sep 1999


 - posted 01-28-2008 05:09 PM      Profile for Tim Reed   Author's Homepage     Send New Private Message       Edit/Delete Post 
LOL!

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Chris Slycord
Film God

Posts: 2986
From: 퍼항시, 경상푹도, South Korea
Registered: Mar 2007


 - posted 01-28-2008 09:07 PM      Profile for Chris Slycord   Email Chris Slycord   Send New Private Message       Edit/Delete Post 
Touche. Proves I'm a nerd; I obviously like math.

But seriously; this kind of stuff has happened before. Soderbergh lost the Director's Guild award when he was nominated for both Traffic and Erin Brockovich (although he won the Oscar for Traffic even though he was nominated for both).

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Brian Guckian
Jedi Master Film Handler

Posts: 594
From: Dublin, Ireland
Registered: Apr 2003


 - posted 01-29-2008 07:39 PM      Profile for Brian Guckian   Email Brian Guckian   Send New Private Message       Edit/Delete Post 
I think it's called "splitting the vote".

Interesting to note BTW that There Will Be Blood was shot in true anamorphic 'Scope, did film dailies and furthermore did not go through DI, all at the express wish of the Director, Paul Thomas Anderson.

(I'm even more of a nerd [Big Grin] )

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Mike Schindler
Phenomenal Film Handler

Posts: 1039
From: Oak Park, IL, USA
Registered: Jun 2002


 - posted 01-31-2008 01:22 PM      Profile for Mike Schindler   Email Mike Schindler   Send New Private Message       Edit/Delete Post 
As much as I love THERE WILL BE BLOOD, I thought the photography was kind of a let down. I didn't think it was bad. I'm just used to these guys being great.

That being said, I'm glad that Elswit won, and I'll be rooting for him along with PTA, producer Joanne Sellar, and editor Dylan Tichenor on Oscar Night. They all should've gotten Oscars ten years ago for their work on BOOGIE NIGHTS, which was about as perfect as perfect can be. It's good to see they're finally getting some recognition.

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