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This topic comprises 8 pages: 1 2 3 4 5 6 7 8
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Author
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Topic: Film-Tech Screening Room (current) pics
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Monte L Fullmer
Film God
![](http://www.film-tech.com/ubbmembers/2797c.jpg)
Posts: 8367
From: Nampa, Idaho, USA
Registered: Nov 2004
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posted 02-01-2010 03:40 AM
He'll like that NEC-1600C unit with the option of using from 2k to 4k bulbs in that thing. Easy unit to work on - back end opens up for the bulb change which takes seconds to do - just the time needed to calibrate and focus the bulb in for maximum brightness is needed. Side panels opens up for the light engine and filter changeouts are a snap to do.
He'll prob bug Tim Reed to come over and help Brad on how to play with it since Tim has the NEC Commander Software to hone that thing in to sharpness..
Prob the reason for the larger window if he uses REAL-D's XL polarizer defuser - a twin reflective panel, high light output polarizer defuser which sits out in front of the main lens..and you need port window space for that attachment. Even if he went with the standard defuser, still, you need some space. Also, having bigger windows so you can see out better...
I also notice on the penthouse stack - when we had SDDS,basement reader SRD and DTS, it seems that the appropriate is to have the DTS being the lowest reader, Yet, looks odd that way with "Atlas" holding up the "heavies" above him.
...Ah..but shame --- Flat lens in the window sill... -Monte
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