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This topic comprises 4 pages: 1 2 3 4
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Author
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Topic: On Demand Video While Movie Is Still In Theatres Start Next Month
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Mitchell Dvoskin
Phenomenal Film Handler
Posts: 1869
From: West Milford, NJ, USA
Registered: Jan 2001
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posted 04-01-2011 10:39 AM
Coming next month to a TV screen near you...
Variety Article
quote: Variety
WB, Sony, U and Fox cue premium VOD 'Unknown,' 'Just Go with It' expected to be offered for $30 next month
By Marc Graser
After talking to his pretend kids Kiki (Bailee Madison) and Bart (Griffin Gluck) Danny (Adam Sandler) tells them to start laughing and hug him as Palmer walks in, in Columbia Pictures' comedy JUST GO WITH IT.
"Unknown" and "Just Go With it" are among the first studio pics set to roll out as $30 early VOD offerings. Hollywood has firmed up its plans to roll out premium VOD next month, though theater owners quickly protested the strategy.
Warner Bros., Sony, Universal and 20th Century Fox are the first studios that have agreed to launch Home Premiere as the official brand under which the industry will offer up movies to rent for $30 two months after their theatrical bows for a viewing period of two to three days, depending on the distributor.
DirecTV will exclusively launch Home Premiere nationally to its nearly 20 million customers, while cablers including Comcast will introduce the service in certain cities for an undisclosed period of time some time around the end of this month.
As first reported on Variety.com, the first films expected to launch include Warner Bros.' actioner "Unknown" and Sony's Adam Sandler comedy "Just Go With It," sources close to the new service say.
The launch plans come months after studios started to float the idea to experiment with higher-priced rentals of pics closer to their theatrical runs as a way to boost their homevid operations with film campaigns still fresh in people's minds.
WB, U and Fox have already succeeded in fending off companies like Netflix and Redbox, forcing them to wait 28 days after a film bows on DVD to offer those titles for rent through their online services and kiosks. Those same studios wouldn't mind lengthening that window even longer and have considered pursuing such talks.
On the premium VOD front, the majors say they're missing out on audiences who aren't making the trip to the megaplex because of the size of their families or the expense of babysitters or of food and other concessions.
But exhibitors worry that allowing auds to watch family fare at home, even at a higher price point, may get them used to staying away from theaters over the long run. A statement released by the National Assn. of Theater Owners Thursday at CinemaCon accused the studios of compromising revenues for the entertainment biz, saying, "These plans fundamentally alter the economic relationship between exhibitors, filmmakers and producers, and the studios taking part in this misguided venture."
Studios contend that offering up films 60 days after their theatrical run won't hurt the box office since most films generate most of their coin during their first three months.
But NATO says studios "risk accelerating the already intense need to maximize revenues on every screen opening weekend and driving out films that need time to develop -- like many of the recent Academy Award-nominated pictures. They risk exacerbating the scourge of movie theft by delivering a pristine, high definition, digital copy to pirates months earlier than they had previously been available."
Paramount is not participating in the Home Premiere program, reportedly due to piracy concerns.
The majors also say they wouldn't release any films via Home Premiere that are still performing strongly at the B.O.
DVDs and Blu-rays typically bow 90 days after a pic's theatrical run, although that's been shrinking for higher-profile titles.
A specific launch date was not revealed for Home Premiere, but sources told Variety that it would occur at the end of April.
DirecTV has recently launched a more aggressive effort to encourage its customers to upgrade their set-top boxes to be able to connect to the Internet as it readies to launch Home Premiere.
Comcast, meanwhile, is eyeing Home Premiere as a way to bolster its pay TV market share through enhancements of its broadband-based Xfinity TV service.
DirecTV was initially targeting a trial launch this summer, during which "we'll try something that's four to six weeks from theatrical release," DirecTV chief Michael White said in February.
Studios have talked DirecTV into compromising to a longer release window since then. One reason: The major theater chains, including Regal Entertainment, have threatened not to screen films should they become available during a six-week window via premium VOD.
The Digital Entertainment Group, which helped Hollywood launch and brand Blu-ray, will assist in building the Home Premiere brand.
While the price is still too high for me as a single guy, if I had a family with concession munching kids, it would be a bargain.
Now I have a choice of watching first run digital video out, or at home. While at present time this is not going to be a monumental change, it is one more blow against the exhibition industry.
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Mike Blakesley
Film God
Posts: 12767
From: Forsyth, Montana
Registered: Jun 99
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posted 04-02-2011 08:38 PM
Well guys...the problem is the film companies don't THINK they need us, even though we know they do. If we all said (at once) "we're not going to play your damn Harry Potter film if you put it on video in 60 days," they would say "Fine...it's going to video on July 15 then."
They know we need their product or we're screwed. That's why they have us by the balls.
quote: Bobby Henderson Mike, since you went through the trouble and expense of converting your theater to digital projection and even adding Dolby 3D your movie theater should be getting any new release you want the very day the movie opens.
Bobby -- I totally agree with this. However, the studios are still operating on the exact same methods with digital as they did with film prints, meaning: There is a finite number of prints (no matter the format) available, and when those are committed, there are no more. If we don't play a movie on the break, we have to wait until some other town somewhere lets loose of a hard drive print. Just like it was with film. I agree, it's ridiculous and I've been repeating that scenario to everybody I've talked to who is working on conversion. Don't think that just because you're digital you can just get whatever you want.
To be fair, there have been a few occasions where we've been able to get prints a week or two sooner on digital than we would have on film, but those have been rare times.
My wife came up with a good idea. How about if the industry just decided to lower our prices? Why not? The film companies keep devaluing their product to the consumer, so why don't we do the same? Everybody goes to $5.00 a ticket, or something like that. No 3D surcharges either. We could trumpet that up with a massive ad campaign. The film companies would cry foul, but what could they do? Their contracts don't allow them to dictate ticket prices as long as we hit the minimum per cap. Our attendance would skyrocket and concession sales would be massive, while film rental payments would stay about the same. The only problem is, how to get the entire industry to do it at once?
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