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Author Topic: An IMAX at Grauman's Chinese
Aaron Garman
Phenomenal Film Handler

Posts: 1470
From: Toledo, OH USA
Registered: Mar 2003


 - posted 04-11-2013 05:22 PM      Profile for Aaron Garman   Email Aaron Garman   Send New Private Message       Edit/Delete Post 
Thanks Mike Olpin for the heads up.

IMAX to go into former Grauman's Chinese Theatre

quote:
Imax to go into former Grauman's Chinese Theatre in Hollywood

By Richard Verrier
April 11, 2013, 1:14 p.m.

Imax Corp., once a peripheral player in Hollywood, is putting its stamp on the industry’s most famous movie theater.

The Canadian big screen theater company, which has offices in Santa Monica, plans to open one of its largest theaters at the former Grauman’s Chinese Theatre opened in 1927 by showman Sid Grauman, sources familiar with the matter said.

The deal, which is signed but subject to permit approval by the city, comes three months after Chinese TV maker TCL paid more than $5 million for the naming rights to the historic theater along Hollywood Boulevard, which now goes by the name TCL Chinese Theatre.

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Representatives of IMAX and the Chinese Threatre declined to comment.

Imax plans to make the Chinese Theatre one of its main venues for holding premieres of big budget action movies. The new Imax theater will be 94 feet wide and seat 986 people, making it the largest in terms of seating capacity among more than 730 Imax theaters in at least 50 countries. It would be the third-largest Imax theater in North America, only slightly smaller than Imax venues in San Francisco and Lincoln Square in New York City.

Although Imax has two dozen theaters in Los Angeles County, including AMC Universal Citywalk, none have been large enough to host premieres, an important source of business for Imax.

Once best known for its nature documentaries, Imax has evolved into a major player in the exhibition industry, releasing about 35 films a years, mainly fan boy and action movies like “Dark Knight Rises” and the upcoming “Star Trek Into Darkness.” The company, which has offices in New York and Toronto, has more than doubled the size of its theater circuit in the last four years, expanding rapidly in overseas markets such as Russia, Brazil and China, where it has relationships with most major exhibitors.

The Chinese, best known for its gigantic red Chinese pagoda and 30-foot-tall Chinese dragon and the cement foot and hand prints of famous stars, was declared a historic and cultural landmark in 1968 and is one of the most popular tourism draws in L.A. It hosted the Academy Award ceremonies in 1940s and has hosted numerous high-profile premieres, from “The Wizard of Oz” in 1939 to Warner Bros.' recent release “Gangster Squad.”

The Imax theater is expected to open by September and with new stadium seating, as well as a new Imax sound system and digital projector, which will later be replaced by a laser projector system that Imax is adding to its circuit. The system, expected to be installed next year, uses patents that Imax acquired from Kodak and provides much brighter images and better color contrast than conventional digital systems.

Following a model it has used in other venues, Imax will sell its equipment to the owners and receive a percentage of ticket sales. The new theater is part of a series of renovations to the Chinese, including a new box office marquee on Hollywood Boulevard, financed by owners, film producer Donald Kushner and his partner Elie Samaha.

The men acquired Grauman’s nearly two years ago from previous owners Warner Bros. and Paramount Pictures parent Viacom Inc., who, in turn, acquired the venerable theater after the Mann chain, which owned it for decades, filed for bankruptcy.

In addition to hosting premieres, the Imax theater will screen traditional Hollywood fare and may also show Chinese movies, potentially taking advantage of Imax’s ties with several Chinese exhibitors, including Dalian Wanda Group, which last year acquired AMC Entertainment, the nation’s second- largest theater circuit, for $2.6 billion.

TCL Group, which bought the naming rights to the former Grauman’s Chinese, also has agreed to sponsor a national and international campaign to promote Hollywood and the Chinese, using proceeds from its 10-year licensing deal to fund at least $5 million in improvements to the venue.



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Scott Norwood
Film God

Posts: 8146
From: Boston, MA. USA (1774.21 miles northeast of Dallas)
Registered: Jun 99


 - posted 04-11-2013 08:56 PM      Profile for Scott Norwood   Author's Homepage   Email Scott Norwood   Send New Private Message       Edit/Delete Post 
As if there weren't enough stupidity in the exhibition industry....

[puke]

And I say this as one who is not a big fan of the Chinese--when I visited in 2000, they had a nice, big curved screen and one of the worst-sounding cinema systems that I have ever had the displeasure of hearing. Maybe they will fix that, at least.

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Mike Blakesley
Film God

Posts: 12767
From: Forsyth, Montana
Registered: Jun 99


 - posted 04-12-2013 12:00 AM      Profile for Mike Blakesley   Author's Homepage   Email Mike Blakesley   Send New Private Message       Edit/Delete Post 
quote:
The system, expected to be installed next year, uses patents that Imax acquired from Kodak and provides much brighter images
I keep seeing this blurb, that laser projection is supposed to be "much brighter" than xenon. Having seen the 3-D laser demo at CinemaCon last year, I don't agree. Was it brighter? Yes, somewhat. But it still looked washed-out and dim compared to a 2-D picture. Definitely not worth spending tens of thousands per screen for an upgrade (well unless you're a heavily financed company like Imax, I guess).

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Steve Guttag
We forgot the crackers Gromit!!!

Posts: 12814
From: Annapolis, MD
Registered: Dec 1999


 - posted 04-12-2013 07:56 AM      Profile for Steve Guttag   Email Steve Guttag   Send New Private Message       Edit/Delete Post 
As long as you are going to use a Silver screen and only concern yourself with center-brightness, the image will look dim. It is a physical fact. That is why even with laser sight on the CinemaCon demo it didn't wow you. Had they used a matte or low-gain white screen and used the laser's brightness to raise the light level up...you'd been wowed.

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Mike Blakesley
Film God

Posts: 12767
From: Forsyth, Montana
Registered: Jun 99


 - posted 04-12-2013 01:58 PM      Profile for Mike Blakesley   Author's Homepage   Email Mike Blakesley   Send New Private Message       Edit/Delete Post 
I wonder then why they didn't do those things at the demo? They had a matte screen there, didn't they? Weren't they trying to wow everyone? We had dead-center seats for that particular event and I did think it looked good, but definitely not "Holy-shit-we-need-to-buy-that" good.

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