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Author
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Topic: Simplex XL Telecine
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Steve Matz
Jedi Master Film Handler
Posts: 672
From: Billings, Montana, USA
Registered: Sep 2003
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posted 08-17-2014 04:54 PM
Jonn; I saw a Simplex GPL Telecine listed on EBAY less than a year ago for $35,000 WOW! I wouldn't think these 35MM Telecine's would of had high production volume simply because Most of your TV Stations and Affliates used 16mm chains(ie Eastman 250,275,285,300-RCA TP6,TP66,etc). It seems aside from CBS,ABC,& NBC that only your larger Metropolitan City's TV Stations had 35mm equipment(like KTLA Los Angeles that I mentioned before) If that is a Realistic Price listed for that Projector than you have a piece of GOLD
BTW:Speaking of early B&W Television. We didn't get our first TV Station until November 1953. Local News Cast were not even 1/2hr yet(15minutes) Because of the Primitive Vidicon Cameras and maybe the lack of knowledge on Lighting Issues back then; The person/s that did the News cast or any Live Event inside the Studio had to go through this elaborate Makeup process to their Face so they would come across Viewer's TV Screens as Normal Looking People. The Makeup made them look like they were going to a Halloween Party. It had to be both a Hastle and probably embarrassing for the People having to go through this. Thank GOD for technology. Also I remember my Dad bringing home this Big Box of a TV that sat on a Rod Iron Tripod. It was a 23" Screen size and I found out later that it cost $600. That much for a TV in 1954 that only had one Station until 1958; didn't start showing anything(besides test pattern)until Noon and then signed off at about 10:30PM. No Network Movies back then either. You had a mainstream of B Westerns from the 40's with actors like Bob Steele and William Boyd. We did get to see shows like Superman,Amos & Andy,Victory at Sea and probably all the TV shows that were filmed between 1949-51 already in syndication. Didn't matter it was such a new innovation for us to watch that even just watching the Test Pattern was Neat....
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Mark Ogden
Jedi Master Film Handler
Posts: 943
From: Little Falls, N.J.
Registered: Jun 99
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posted 08-18-2014 06:03 PM
What was unusual about the old CBS network telecine area was: no multiplexers. Every projector, be it 35mm, 16mm or slide, had its own dedicated GE-240 camera, so that each protector could be dialed up individually in the building master router (the button sequence would be "35-3 ENTER" or "16-2 ENTER", like that). Since they were 4-tube vidicon cameras, keeping them registered and tweaked up was an all day and night affair. The cameras had a 4x5 transparency of a registration patten in a metal frame that used to swing down into position in front of the camera lens, and another slide of a grayscale chart. The illumination for the pattern came from the projector itself, running with an open gate, in this way the color balance could be set taking into account the minute color variation of the individual bulb. If you look at the top photo, of 35-5, you can barely make out a small folded crank above the lamp housing. That was to swing the backup bulb in case of a burn-out.
When the area was ripped out in the late 1980s, it was replaced with an extension of the videotape area, filled with one-inch Type "C" machines and various beta decks. They're all still there, mostly unused, another obsolete technology.
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