|
This topic comprises 2 pages: 1 2
|
Author
|
Topic: Fun with THX -- Series Programming
|
|
|
|
|
|
|
|
|
|
|
Brad Miller
Administrator
Posts: 17775
From: Plano, TX (36.2 miles NW of Rockwall)
Registered: May 99
|
posted 02-07-2016 11:38 AM
Ok Manny, in all seriousness.
First off, 70mm mag is awesome, but good F'ing luck in finding a good print in the repertory circuit that isn't scratched up or has magnetic track damage. I know that doesn't matter at the moment to you anyway, as you don't have 70mm capability, so let's stick with 35mm.
In talking 35mm, I am going to stick firmly with prints that had some flavor of digital sound. Nothing against a good A or especially an SR track, but any dirt or scuff mark on the optical soundtrack also pulls away from the quality of your THX presentation. Plus back then the mixes simply weren't capable of what later mixes were. (For example, yes the original Die Hard had a great soundtrack on it for 1988, but the 4th Die Hard from 2007 was actually more impressive, as technology improves over time...assuming an equally good mixer and so forth.)
So here is a random sort of list for you, in alphabetical order, not order of recommendation. Keep in mind not all of these are simply "loud blow 'em up action" titles. Some just had a really good mix to them:
Changeling (SRD/DTS/SDDS) Contact (SRD/DTS or SDDS) Detroit Rock City (SRD/DTS/SDDS) Die Hard 4 (SRD/DTS/SDDS) Faculty (SRD/DTS/SDDS) From Dusk Till Dawn (SDDS) Hairspray (SRD/DTS/SDDS) Heat (SRD) Inception (SRD/DTS/SDDS) Joyride (SRD/DTS/SDDS) Matrix (SRD/DTS/SDDS) Mission Impossible 4 (SRD/DTS) Moulin Rouge (SRD/DTS/SDDS) Mr. and Mrs. Smith (SRD/DTS/SDDS) Saving Private Ryan (SRD/DTS/SDDS) Southpark (SRD/DTS) Star Trek 2009 (SRD/DTS/SDDS) Toy Story 2 (SRD) U-571 (SRD/DTS/SDDS)
Make SURE you are playing 35mm prints and not DCPs, as some of these DCPs aren't using the original theatrical mixes, but the audio from the home video near-field "F-type" mix that sounds like giant blobs of poo on a real system. Even an official theatrical re-issue like The Lion King from a few years back...that was even remixed by the original mixers...absolutely sucks ass.
| IP: Logged
|
|
Leo Enticknap
Film God
Posts: 7474
From: Loma Linda, CA
Registered: Jul 2000
|
posted 02-07-2016 12:11 PM
I'm probably going to get flamed for this, but as the idea of a THX auditorium is to give excellent audio reproduction in all movie soundtracks, not just those mastered under the THX brand and/or post-1992 digital ones, how about some movies that demonstrate breakthroughs in sound design going back further? Possibilities...
I Am a Fugitive From a Chain Gang for the 1930s - the industry finally breaking free from sound on disc (for original recording) and realizing what multi-channel mixing can really do.
That having been said, it is one of the most depressing movies ever to come out of Hollywood. A glossy '30s musical might be a better bet - Gold Diggers of 1933 is one of my favorites.
They Were Expendable for the '40s - Douglas Shearer's multi-layered mixing is so intricate that you have to pinch yourself to remember that it's mono, especially in the battle scenes. I showed an Academy Film Archive print at Cinecon last year, which was one of the nicest non-nitrate b/w prints I've ever seen, for both pix and sound.
Bad Day at Black Rock for the '50s - one of the most underrated movies of the early mag stereo era - very dramatic contrast of loud music cues and almost total silence in some of the suspense scenes. However, I'm guessing that the only film prints available now would be optical mono.
In the Heat of the Night for the '60s. Even the noise of a fly buzzing makes you sit up.
All The President's Men for the '70s. Another amazing example of what can be done with a mono mix and almost no music. The Conversation would be another possibility, but a more obvious one.
...and then we're into the '80s Dolby whiz-bang era, for which there is no shortage of suggestions.
| IP: Logged
|
|
|
|
|
|
All times are Central (GMT -6:00)
|
This topic comprises 2 pages: 1 2
|
Powered by Infopop Corporation
UBB.classicTM
6.3.1.2
The Film-Tech Forums are designed for various members related to the cinema industry to express their opinions, viewpoints and testimonials on various products, services and events based upon speculation, personal knowledge and factual information through use, therefore all views represented here allow no liability upon the publishers of this web site and the owners of said views assume no liability for any ill will resulting from these postings. The posts made here are for educational as well as entertainment purposes and as such anyone viewing this portion of the website must accept these views as statements of the author of that opinion
and agrees to release the authors from any and all liability.
|