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This topic comprises 3 pages: 1 2 3
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Author
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Topic: The Language of Film
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John Pytlak
Film God
Posts: 9987
From: Rochester, NY 14650-1922
Registered: Jan 2000
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posted 05-25-2001 01:25 PM
With Film-Tech having so many participants from around the world, I'd like to start a thread exploring the language differences when we discuss film and projection.For example, the differences we have in spelling: Color vs. Colour Theatre vs. Theater Or synonyms used for the same items: Core = Bobbin Thread = Lace Trunk = Boot Elevator = Lift Or Metric (SI) units vs. "US Customary": Metres vs. feet Celsius vs. Fahrenheit Candelas per square metre vs. footlamberts Grams vs. ounces Kilograms vs. pounds Maybe this thread could serve as a dictionary of terms for the various languages we use to describe our jobs. ------------------ John P. Pytlak, Senior Technical Specialist Worldwide Technical Services, Entertainment Imaging Eastman Kodak Company Research Labs, Building 69, Room 7419 Rochester, New York, 14650-1922 USA Tel: 716-477-5325 Cell: 716-781-4036 Fax: 716-722-7243 E-Mail: john.pytlak@kodak.com Web site: http://www.kodak.com/go/motion
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Rick Long
Jedi Master Film Handler
Posts: 759
From: Toronto, Ontario, Canada
Registered: Nov 1999
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posted 05-25-2001 09:49 PM
Various descriptions of film and electrical terms not only vary from country to country, but also within a country as well. Here in Canada, for example, most English speaking projectionists and technicians use the terms "open and closed" (electrically speaking) using the physics terms one learned in school. Thus, a "closed" circuit is one that is conducting, and an "open" circuit is one that has been interupted by a switch (or whatever) and is not conducting. Projectionists and technicians whose first language is French, however, often use the water anology. Thus the term "I closed the breaker means they turned it off while "I opened the breaker" means that the power is ON! This confusion in terms has often led to shocking consequences.
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Randy Stankey
Film God
Posts: 6539
From: Erie, Pennsylvania
Registered: Jun 99
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posted 05-25-2001 10:50 PM
Ahh, yes! I have been in situations like this! When working backstage in a theatre (vs. cinema) I was called upon to "stub-in" to the electrical service panel. 480 volts (or something like that) going up the lines, through a conduit and into a special distribution transformer. There were a couple of near misses. The hair on the back of my neck stands up just thinking about it. After that, all of us guys who would be working on the project got together and agreed that before energizing ANY circuit, no matter how inconsequential it may seem, we would shout, "GOING LIVE!!!", and then wait for a response of, "CLEAR!!!", from your partner(s). We were even supposed to shout when we knew there was nobody in the area just to make sure. We would wait for a few seconds to give anybody the chance to shout, "HOLD UP!!!" before energizing. So... what other conventions might I run into when working in similar situations in other countries?
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Aaron Sisemore
Flaming Ribs beat Reeses Peanut Butter Cups any day!
Posts: 3061
From: Rockwall TX USA
Registered: Sep 1999
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posted 05-26-2001 02:30 AM
And still more booth humor, continuing from the above: videotape: 35mm film Frisbees: DTS Disks and/or the round holders for them small nuclear munitions: xenon bulbs non-sync: What the Titanic was supposed to be duct tape: aperture plates cardboard and duct tape: Super Sticky-Poos non-functioning surrounds: what endless customers will invariably complain about during the run of the latest Woody Allen film clusterf*ck: brain wrap intermittent: A good way to describe SDDS digital playback Century: A good projector, or the average amount of time between cleanings and lubrications on some of the machines I have had to service Cinemeccanica: An Italian cinema technician Sneak Preview: What anyone lucky enough to get into the auditorium via the exits gets if not caught and thrown out UFOs: Miscellaneous fragments of Technicolor reels cominig apart at high speed Mosaic: What you get when some idiot decides to set up a DLP system with a 70' wide screen any more of this and Brad is gonna move it to Joke-yak Aaron
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Steve Guttag
We forgot the crackers Gromit!!!
Posts: 12814
From: Annapolis, MD
Registered: Dec 1999
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posted 05-26-2001 03:03 PM
I have taken the convention of referring to a cinema as "theatre" and live-stage venues as "theater." I have noted that others and some dictionaries follow this as well.While on the subject of terminology....those of us that deal with live-stage as well as film have to even keep Left and Right straight. Most of the combo venues are live-stage with film thrown in...as such all orientations are presumed from the stage perspective unless "house-left" or "house-right" is specifically stated. Oh and to give cinema guys more grief...terms like left are often abbreviated "SL" or right as "SR"....which look like Surround Left and Surround Right to the cinema types. On the different name for the same thing topic... Splice = patch rupture = break chamber = booth sound drum = impedance drum Steve ------------------ "Old projectionists never die, they just changeover!"
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