Hello.
As promised, I'm sharing how to read the 5.1 audio from SR-D sound negatives.
First, some words of warning:
Most SR-D positives are missing frames in the beginning and in the end, so the sound negative is a far better option.
Good luck and let's keep film sound alive.
As promised, I'm sharing how to read the 5.1 audio from SR-D sound negatives.
First, some words of warning:
- Sound Negatives shouldn't be played in an intermittent transport (like a film projector). A continuous transport (like a studio dubber) that can also play both base-in-front or emulsion-in-front is mandatory.
- Reading the SR-D 5.1 sound, be it from sound negative, married print, sound print, or from the MODisks themselves, even if someone ever finds out how to digitally decode the SR-D files in the MODisk to PCM (WAV), should be considered a last resort; since AFAIK nobody knows how to convert digitally (the code is locked inside the Zoran DSPs in the Dolby cards), this process involves a conversion from SR-D to analog and another analog to digital conversion.
- SR-D 5.1 sound was lossy compressed with a relative of the AC3 codec, and not only has codec artefacts but it will suffer even more with further AAC conversions down a broadcast or delivery chain.
- If there is multichannel analog or PCM sound of the final mix (be they AKAI DD8, ADAT, DTRS, Sony DASH, Mitsubishi ProDigi, WAV/AIFF/SD2 bounces), those are always a better source than the SR-D sound. Only use the SR-D sound if nothing better is available.
- Sondor OMA-E film transport synched to video
- Kinoton Basement Reader (with flywheel) jury-rigged to the OMA-E's film path (on the right-hand side, after the film starts descending to the destination reel - bolt it to the side of the cabinet frame, about level with the headblock)
- SR-D_LoopFilmPath.jpg
- Dolby DA20 (CP500 would work as well, but with the DA20 we don't have to worry about defeating the B-chain settings). CP-650 wasn't tested.
- DOS-based PC with specific Dolby software (DRAS10.EXE, QC403.EXE) and serial connection to the DA20. We haven't tested if updated DOS versions, or the Windows equivalents, could work as well.
- The computer can be anything from a 486DX to hardware equivalents of the latest rack computers supplied by Dolby with CA10 sound camera adapters (Pentium III, 440BX chipset). We're using an HP Vectra VE i8, Pentium III/633
- Analog-to-Digital conversion, inputs in -10dBV=0VU sensitivity, trimmed with Cat.No.69T to -20dBFS
Most SR-D positives are missing frames in the beginning and in the end, so the sound negative is a far better option.
Good luck and let's keep film sound alive.
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