No Time to Die is the cover story of next month's American Cinematographer, which went to print before the release date got pushed back. It has the formats as:
- 35mm anamorphic (Panavision) for most of the film
- 15/65mm (IMAX) for "scenic action sequences"
- 5/65mm for dialogue scenes within IMAX sequences (because the IMAX cameras were too loud) - Panavision System 65, then Arriflex 765 near the end of filming when the System 65 cameras were unavailable. The 765s were mostly used by the second unit, for the same purpose above as the System 65s
- 35mm anamorphic (Panavision) for most of the film
- 15/65mm (IMAX) for "scenic action sequences"
- 5/65mm for dialogue scenes within IMAX sequences (because the IMAX cameras were too loud) - Panavision System 65, then Arriflex 765 near the end of filming when the System 65 cameras were unavailable. The 765s were mostly used by the second unit, for the same purpose above as the System 65s
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