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What's your favorite aspect ratio?

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  • #16
    Since 2017, there have been 25 versions of the iPhone and only two of them have had an aspect ratio of less than 2.0.

    Don't forget the wider/longer the aspect ratio, the more content gets shrunk. If a person holds their phone in portrait mode, content will usually get shrunk to fit the width of the screen, leaving a teeny-tiny postage stamp of an image in the middle of an, otherwise, unused screen. Either that, or more of the picture has to be cropped off the sides. When held in landscape mode, the image will be scaled to fit the height of the screen, leaving blank edges on the sides. Again, the picture will be a small rectangle in the center of a bunch of unused screen real estate. Further, if you scale the image to fit the sides of the screen, you're going to cut off the top and bottom of the picture. The bigger the aspect ratio, the more cropping that's going to happen.

    This is the same BS that we've been talking about for years but, instead of flipping a smartphone from portrait to landscape, we put black bars at the top/bottom or sides of the screen. At least, on a movie screen, you still get to see the whole image rather than just chopping off what doesn't fit. (Most of the time.)

    The AR that I really like would be Cinemascope because it fits the human field of vision best but the reality of the internet and textbook-dick-drawing idiots who can't even fathom what an aspect ratio is, much less how to calculate it, has been thrust upon us. Unlike movie theaters, we no longer have control over how our movies and pictures will be displayed. We're forced to adjust our work so that some chucklehead in some far-flung corner of the world can look at it on some random device with some arbitrary screen aspect ratio that we don't even know. The fruits of our hard labor will be shrunk, stretched, cropped and chopped to hell in ways we can't even imagine. If we want our images to be displayed in even a half-decent way, our best strategy is to come up with a compromise aspect ratio that kinda-sorta fits best, no matter what kind of device the internet audience uses.

    In my experience an aspect ratio somewhere in the neighborhood of 1.5 to 1.66 seems to work he best. If displayed on a screen that's wider than that, you'll see black bars on the sides but they will be fairly thin and won't be so noticeable. If displayed on a screen, narrower, the image will be shrunk or cropped less but still have a decent sized image that looks okay.

    As I said, above, if there could be only one, it would be Cinemascope but that would depend on there being no internet to contend with. If you include the internet and streaming, 1.66 is my choice.

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    • #17
      I would've added more options, but the poll didn't let me.

      Obviously, vanilla with chocolate sprinkles is more important than any strange 1:1.77 portrait mode.

      Originally posted by Leo Enticknap View Post
      (Sergei) Eisenstein wrote an essay called "The Perfect Square," in which he advocated for an AR of 1:1 on aesthetic grounds. It's decades since I've read it, but remember not being too impressed with it at the time.
      I've seen "moving pictures"​ on big-ish screens with an AR of 1:1. It looks strange to me. It often looks more like portrait than perfectly square to me.
      Last edited by Marcel Birgelen; 08-06-2024, 02:29 PM.

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      • #18
        Looking at the current poll results, exactly half of all people have voted for 2.39 being their favorite aspect ratio, followed by 2.20 as a second with about 20% of the votes.

        It's somewhat ironic that both formats are currently not really threaded well in DCI. Scope, for example, has less resolution than flat and companies like IMAX are actively selling less-wide formats as those with "more image", which I consider completely counter-intuitive.

        Interestingly, one of the most common aspect ratios around, if not the most common for cinematic releases, 1.85, has gotten just one vote until now. While I expected more votes for ultra-wide screen formats, I didn't expect so little love for "flat".

        I'm lucky to see that there is at least one person that voted for my all-time-favorite AR: Vanilla with chocolate sprinkles​. Thank you!

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        • #19
          The shared hatred for 2:1 is vindicating. I have to show far too many TV premieres at festivals. It's amusing how many creatives will think we are showing the wrong aspect because we properly masked to their F200 image. TV folks think letterboxing is part of the show. It takes them a second to make the mental jump, but rarely do they ask us to show it in flat with the letter boxing visible.

          That said, I would just show them in flat masking like many venues have to, because that is their expectation (and it makes pre-show content easier), but the combination of our booth angle and distance between screen and top mask, make for very non-symmetric looking letter boxing depending on your seat. Personally I think hiding it is the better of the two options, and a more cinematic viewing.
          Last edited by Ryan Gallagher; 08-08-2024, 01:03 PM.

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          • #20
            I have a NEW NEW least favorite.

            Anyone encountered Park Circus's DCP of "Thelma & Louise" yet? Delivered as 2.39:1 inside a FLAT DCP container.

            Talk about inefficient use of container pixels!

            They even send an extra PDF warning people (if you are in the habit of reading all the attachments). They are either covering for a poorly authored DCP that they can't re-make... or they just hate projectionists. LOL

            The letter clearly says the WHAT, but I want to know the WHY!
            Attached Files
            Last edited by Ryan Gallagher; 08-20-2024, 08:47 PM.

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            • #21
              Also how would you interpret that letter? Are they saying the ”intended” presentation is Flat (including letterboxing)? Or are they saying we know it is weird, do the best you can to get the best viewing experience?

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