![](pics/gpc/gpc001.jpg) Front of the building. Four floors of concrete vaults surrounded by glass. The labs are on the fifth floor.
![](pics/gpc/gpc101.jpg) The booth, Kinoton side by side machines 35mm and 16mm with 2000 watt lamphouses.
![](pics/gpc/gpc102.jpg) The 16mm side
![](pics/gpc/gpc103.jpg) Close up of the 16mm.
![](pics/gpc/gpc111.jpg) 35mm side.
![](pics/gpc/gpc112.jpg) Close up of the 35mm.
![](pics/gpc/gpc115.jpg) Control panel for the small screening room. The room holds 20 people.
![](pics/gpc/gpc120.jpg) Inspection bench. Tape splicers, Ultra sonic, and cement. Everything is wound on to cores. Colored leader identifies reference prints, masters and printing elements.
![](pics/gpc/gpc201.jpg) Inspection and comparison rooms. Modified Intercines for shrinkage. 8mm, super 8, 16mm and 35mm.
![](pics/gpc/gpc202.jpg) Modified Intercine for 28mm and 9.5 viewing. The preservation centre has the biggest collection of 28mm prints in the world.
![](pics/gpc/gpc210.jpg) Optical printers, modified Oxberry's with liquid gates.
![](pics/gpc/gpc211.jpg) Side view of the printer, printing a old 28mm film to new 35mm dupe.
![](pics/gpc/gpc221.jpg) Mixing tanks in the lab.
![](pics/gpc/gpc222.jpg) One of two black and white processors. This one does dupe and fine grain.
![](pics/gpc/gpc223.jpg) The older processor for release prints. Can also do rewash.
![](pics/gpc/gpc231.jpg) Contact printer.
![](pics/gpc/gpc241.jpg) Ultrasonic film cleaner.
![](pics/gpc/gpc251.jpg) One of two timing machines. This one is a Colormaster.
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