Just a curiosity, was the USL-Inc “UCI-60” unit basically USL’s equivalent solution to the Dolby DMA8Plus?
Did it have any features or advantages compared to other market offerings of the time?
(PS this probably could have been posted in digital, but gear from the crossover era.)
Just ask cause a couple turned up on eBay at a fair price, and was tempted to play with one.
https://www.ebay.com/itm/156133899203
and manual in warehouse here:
https://www.film-tech.com/warehouse/..._Manual_08.pdf
Did it have any features or advantages compared to other market offerings of the time?
(PS this probably could have been posted in digital, but gear from the crossover era.)
Just ask cause a couple turned up on eBay at a fair price, and was tempted to play with one.
https://www.ebay.com/itm/156133899203
and manual in warehouse here:
https://www.film-tech.com/warehouse/..._Manual_08.pdf
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